Frances worked first as a researcher and later, during South Africa’s turbulent 1980s, as a human rights lawyer. In 2002 she combined her interest in rural development with her love of artisan craft and art when the US-based NGO Aid to Artisans employed her as a marketing consultant. With ATA she worked in South Africa, Tanzania and Mozambique. She established Aid to Artisans South Africa Trust, which became the Africa Craft Trust. Later she co-formed The New Basket Workshop in response to the special needs of rural basket producers in Africa. This work, which occupied her from 2008, included collaborations on various projects with basket makers in Zimbabwe, Ghana, Ethiopia and South Africa. In 2011 she was hired, as director of TNBW, to consult to India’s National Institute of Design on the implementation of a five-country basket development initiative in Africa. Further work with India included consulting to the National Centre for Design and Product Development on basket producer-focused projects in Zimbabwe, Ghana and Ethiopia. In 2016 she joined the Board of Imbali Visual Literacy Project – South Africa’s only accredited craft training programme. In the same year she came back to the Africa Craft Trust as a Board member and director.
Over the years she has been a judge for UNESCO’s Prix d’Excellence and Label d’Excellence in Burkina Faso, Gabon and Mali as well as serving on the jury for UNESCO’s International Fund for the Promotion of Culture. Frances is an advisor to the Joburg Fringe, as well as to RIDA.
Paula Nimpuno-Parente works as an independent development consultant on issues such as economic opportunity, financial inclusion and social protection. Previously she was employed for 17 years as a programme officer at the Ford Foundation and before that at the Bernard van Leer Foundation in The Hague. Paula has done extensive research on gender and the informal economy in Thailand and Kenya, focusing on access to livelihood finance, low-income housing markets and wage/employment opportunities. She serves on the boards of a number of development organisations.
With an MBA and a background in banking, strategy and management, Susan has many years’ experience working with NGOs, including the Urban Foundation, St John Ambulance and Phedisang, a Limpopo-based scheme working with vulnerable children. She was a Board member of the New Basket Workshop for eight years. Having managed her own businesses for over 20 years, Susan brings useful financial, management and business skills to the Board of The Africa Craft Trust.
Makgano Mamabolo is a South African actress, writer and businesswoman, best known for her multiple roles in many television series. She has also worked behind the camera as a director and producer. She has produced for her own production house, Puo Pha Productions, as well as for Ochre Media and Out In Africa. She has been a Board member of the Trust for more than five years. She is a feature film writer, as well as a producer of documentary films.
The Trust has no full-time employees. Instead the Board hires skilled consultants on a project-by- project basis to enable the implementation of its programmes. Consultants are listed below.
Lorato comes with experience in design and retail, training and project management. She was born in England to South African parents in exile. When she was four, she and her family relocated to Botswana where she grew up before returning to London’s Kingston University to complete an Honours Degree in Fashion and Design. Relocating to post-apartheid South Africa, she worked in the commercial fashion manufacturing industry in Cape Town before moving to Johannesburg. Lorato worked on the London South Africa (LOSA) craft program, and then in 2005 as part of the founding team of Aid to Artisans South Africa Trust (the forerunner of the Africa Craft Trust). For nearly six years she was a part of Africa Fashion International. Deciding to walk-the-talk, she co-owned and ran her own fashion wholesale and distribution company before family commitments drew her back to Mahikeng in South Africa’s North West. In 2017, coming almost full circle, she rejoined the Africa Craft Trust as Projects Manager.
See details above under Our Board.
Mara Fleischer has worked in the craft industry for over 25 years. After training in design, she founded The Green Glass Company. This early success in glass recycling began as a small business in Gauteng, but took Mara to operations across Europe and the US. Upon her return to South Africa in 2010, she put her design and entrepreneurial skills into starting the Re-tyre company. Leveraging sustainable re-use practices, Re-tyre up-skilled artisans to generate income by making marketable products from waste tyres . At the same time, Mara consulted for various projects including: CEDARTE/Mozambique, Colours in Africa/Nigeria, Nelson Mandela Museum/Eastern Cape. Among the many products on which she has collaborated with artisans are woven lamps produced in the Western Cape’s Dunoon Weaving Project. These were snapped up by Nandos for its shops in the USA.
In 2014, Mara took up permanent employment with the Craft and Design Institute. This gave her the chance to hone her people-creative-development skills through the facilitation of CDI’s Creative Thinking in the SMME sector. The position required writing and implementing creativity workshops across South Africa. The content of her materials were commissioned by DAC and published in a crafters manual: “Growing your creative Business”.
Mara’s unique hands-on facilitation style has been implemented in various
schools and projects, such as the Sustainability Institute/Stellenbosch and the Butterfly Art Project/Capricorn Park. Mara’s experience has made her a highly skilled facilitator capable of working in diverse environments and able to focus on the development of an individual’s creativity. She combines her approach with an understanding of the needs of business and market access in the SMME sector, to encourage sustainable enterprises.
Rob Hamilton is a Johannesburg-based clinical psychologist with two decades of experience in public health systems strengthening and consulting to the public health sector, and equivalent time in private psychotherapy practice. He is a seasoned facilitator and trainer, having developed a range of training courses in health and related areas (including HIV/AIDS). He has worked in community settings across five provinces. Rob is also a freelance editor, researcher and writer, with a particular focus on Southern African developmental and gender issues. He holds an MA (Clin Psych) degree from the University of Johannesburg.
As a result of growing up in southern Africa during the anti-apartheid struggle, Annig Barrett formed a deep commitment to support the cultures and development of the continent. After ten years producing and wholesaling Latin American craft, Annig Barrett created a retail concept ‘World Design’ to showcase craft from the global South, working with organisations having an ethical approach to business, focusing on job creation,
sustainability and social development.
She brings more than has over 25 years’ experience as a craft producer, wholesaler, retailer and consultant to the sector. With a unique perspective both as a successful business developer and a social development activist, she specialises in craft as a means to improving livelihoods. Living and working in Africa, South America and Europe she has dedicated her efforts to ethical business practices, trade and social development. Together with training in climate change, adult learning, sustainable development, M&E, outcome mapping, financial management and proposal development, Annig has a Masters in Development from Dublin-based Kimmage Development Studies Centre.
She was raised in Botswana and her work includes hands-on work with groups, development advocacy organisations, and funders. As well as experience of working with craft producers she also set up and still runs World Design. World Design has retailed and wholesaled craft since 1999. Through this Annig has experience of the craft sector in Ghana, Tanzania, Kenya, Ethiopia, Swaziland, Botswana, Mozambique, South Africa, Mali, Ireland and France. There’s almost no aspect of the business of craft and its supply chain in which she does not have extensive experience.